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EMERGENCY INDEX: AN ANNUAL DOCUMENT OF PERFORMANCE PRACTICE, VOL. 6
edited by Yelena Gluzman, Sophia Cleary, Katie Gaydos
ISBN 978-1-937027-98-8


“Refugio”
by Alexandros Michael and Yiannis Pappas
09.11 at Selimiye Square 16:00 and 10.11 at Faneromeni Square 16:00

The square, as the site of this long durational performance, becomes the place of constant negotiation between the two performers. They define and construct borders, limits, fortresses that keep changing, influencing their own identities too. What is familiar and what is foreign, what is friendly and what is hostile? In this laborious performance refuge is to be found in chasing and escaping.


“To The Future Public Exhibition” in KMMN Kassel 5-7 September
A platform for international encounters and exchanges during the documenta 14

 


half-staff performance

Kuratiert von/ curated by :
Herbert Ploegman & Franziska Wilmsen
Image: Dirk Rose


Ort/ location: Schloss Ringenberg, Hamminkeln
Eröffnung/ opening: Sonntag/ Sunday 21.5.2017, 17:00 – ?
Öffnungszeiten/ opening hours:
Fr – Sa, 14:00 – 18:00; So/ zo/ Su, 11:00 – 18:00

Finissage: Sonntag/ Sunday, 2.7.2017


public affairs21.5. – 9.7.2017

Friedrichshain-Kreuzberg Museum Berlin
05.05 – 15.06.2017


Screen Shot 2017-04-09 at 8.45.16 PM

 

 

 

 

 

 

 

 

Screen Shot 2017-02-12 at 5.58.17 PM

Contemporary approaches towards discourses of religion and knowledge production in transdisciplinary perspective.
Contribution:Inneractive – Interventions on Mount Athos 


 

DAPPER DAN Issue 14 |

Yiannis Pappas talks to Dossy Iordanidou
Photography by Andreas Wellnitz

Dapper Dan web

Instant_City_Reloaded

Zurich meets London 17-21.05.2016
Central Saint Martins | West Handyside Canopy Street King’s Cross


NEON-MAI: As One Dates: 10 March – 24 April 2016

Open Day: 10 March 2016 Benaki Museum | Pireos St. Annexe, 138 Pireos Str. Athens

as one


codec festival mexico


Gorki Theater


laurel.selec.negro2015

 

 

 

 

 

 

 

 

 

 

 

“Refugio”
by Alexandros Michael and Yiannis Pappas
The square, as the site of this long durational performance, becomes the place of constant negotiation between the two performers. They define and construct borders, limits, fortresses that keep changing, influencing their own identities too. What is familiar and what is foreign, what is friendly and what is hostile? In this laborious performance refuge is to be found in chasing and escaping.